was not a deliberate choice. Not being able to have actors and
technicians already prepared, it was necessary to engage enthusiasts to
whom I gave a training aimed directly theatrical work to be carried out.
So it was from the first three components of the company, at the beginning, up to more than ten, to the end.
Here is what was the training program, published in the newsletter La vie intérieure du Théâtre de la Mer, n. 1 October 1968 :